Photography by David Kennedy

Sequences: Redux

American Robin thrashing through the leaves along the sidewalk, Columbia, Mo.

On Thursday afternoon I walked about Columbia, Mo. with my Lumix G1 and a 45-200mm lens (90-400mm lens in 35mm-speak, as the 4/3 sensor is one half the size of a frame of 35mm film).  It was cold.  I was wearing one of my “real” winter gloves on my left hand, but a thin glove on my right to use my camera.  My ears were at least covered up, but damn did my face get cold.  I’m from Wisconsin: we know how to dress for it, but there’s nothing you can do about cold wind except to get out of it as quickly as possible.

As I made my way back to Lee Hills Hall, home to the Missouri School of Journalism’s photojournalism sequence, I found that lots of American Robins were fluttering about the leaves lining the sidewalk.  I normally don’t photograph robins: too easy.  Well, sort of.

I had to revert back to my ways of photographing birds (but with much smaller equipment in this case), and I got down on the ground and began to crawl forward.  I put pressure mostly on my palms, which is now instinctive after working on the beaches in Florida, where Artie Morris always advises that you have to keep your hands clean.  If they get coated in sand, it just works its way into all of your gear; more often than not, it’s wet sand that does not want to brush off on your pants leg.

Slowly I crawled forward, getting a more frame-filling view of one of the robins that was thrashing on the ground, looking for worms.  He would thrash, look up, and then move onward to a new spot.  Lather, rinse, repeat.

I believe what I’ve made is a somewhat comic three-image series.  We encounter many birds, like the American Robin, virtually every day in Columbia, Missouri.  But do we often pay them a second look?

Another sequence after the jump!

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A cartoon a lot of today’s students could learn from

What the Duck # 627

What the Duck # 627

Just a little humor on a winter night at the Missouri School of Journalism.  Thank you, What The Duck.

Fun with Sequences

Yawnin’ in the Rain

In my picture story & photographic essay class at the Missouri School of Journalism, we have been asked to find some examples of what can make for an effective sequence of images.  While I ultimately will be required to produce one that is more about people than wildlife, I did think this sequence of images of a Galapagos Giant Tortoise from this summer was an entertaining and appropriate.

Additionally, the idea of the “sequence” can be interpreted broadly.  A sequence could be two pictures (a diptych), three pictures (a triptych), or it could be hundreds put together into a time lapse.  Timescapes.org is an example of the latter.  They are working on what will eventually be a full-length movie composed of video and time-lapse photography.  One example they have produced–a series of time lapses–is shared below.  Interesting stuff!

Timescapes – Mountain Light:

Tigers vs. Sooners Women’s Basketball & The X-Rite Color-checker Passport

Missouri women's basketball forward Jessra Johnson, left, fails to prevent Oklahoma's center, Abi Olajuwon, from making a two point shot on Wednesday, 20 Jan. 2010 at Mizzou Arena in Columbia, Mo.

Missouri women's basketball forward Jessra Johnson, left, fails to prevent Oklahoma's center, Abi Olajuwon, from making a two point shot on Wednesday, 20 Jan. 2010 at Mizzou Arena in Columbia, Mo. Olajuwon wears the same number as her father, Hakeem "The Dream" Olajuwon, from his college career. The Tigers lost 61-62 to the Sooners. | Canon 1D IIn and 50mm f/1.4 lens; exposed 1/1250 sec. @ f/1.4, ISO 800. | Color corrected with X-Rite Color-checker Passport.

The Set-up

Last Wednesday I found myself sitting on the court at Mizzou Arena in Columbia, Mo. with two different camera bodies and three different lenses.  So, what’s the problem?  The 7D and the 1D Mark IIn see colors differently.  Add to the equation that the glass in a lens affects the color rendered in the final photograph.  For newspaper photography, usually captured in JPEG instead of RAW, this is just something you would normally “live with.”

Maybe you’d just take two identical bodies and figure no one will notice the difference once its printed on Charmin, any ways.  But online, the differences can be stark.  Take, for instance, this Columbia Missourian slideshow where I was using my 7D and a 1D Mark III on loan from CPS, but my colleague Chris Dunn was using an older D2Xs body at the football game between MU and Kansas State.  This is an extreme example, but it is amusing to watch Kansas State’s jerseys suddenly jump from purple to blue depending on which camera was used.  Hint: Nikon didn’t figure out what purple “looked” like until the D3 and D300 came out.

Article continues!

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A Winter Wonderland

Trees and hoarfrost, Burlington, Wis.

Trees and hoar frost, Burlington, Wis. | Canon 5D II and 70-200mm f/4L IS lens @ 150mm; exposed 1/320 sec. @ f/8, ISO 200.

While I was driving from Racine, Wis. back to Columbia, Mo. last Sunday, 17 January, a I found that the “freezing fog” advisory we had heard about the night before had given the branches of all of the trees along the way a white glow.  Much of the drive was on the interstate, but before I could get out to I-43 to shoot to Beloit and drive the length of Illinois via Rockford, I had to drive on two-lane highways.  Here, on Wisconsin Highway 11 in Burlington, about one mile short of the on-ramp to I-43, I decided to stop and make a few pictures.  It was a supremely overcast day, so the 11:30am sun did not hurt the pictures at all.

Fortunately, while all of my equipment was loaded in the trunk of the car, it was not entirely inaccessible.  I pulled over to the side of the road, switched on my hazard lights, popped the trunk, and reached for my 5D Mark II and a couple of lenses before walking about.  The only thing I didn’t take the time to do was switch out my shoes for boots.  Those snow drifts on the side of the highway are a little deeper than they look!

More photos after the jump!
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A Positive Repair Experience (how often does that happen?)

Canon 24-70mm lens and repair paperwork

Canon 24-70mm lens and repair paperwork | Panasonic G1 and Olympus 17mm f/2.8 lens; exposed 1/25 sec. @ f/2.8, ISO 400. | Color corrected with X-Rite Color-checker Passport

Background

In my Lightroom library, 5,824 photographs were captured with my Canon 24-70mm f/2.8L lens that I purchased  in the summer of 2005.  While the actual numbers of images made with the lens are certainly higher (I delete a fair amount), it is the most used lens that I have.  The second place honor goes to my 50mm f/1.4, with 1,856, and third runner up is the 400mm f/4 DO IS lens and its combinations with the 1.4x and 2x teleconverters.

Because of the heavy use that my 24-70 receives, I had become concerned that it was getting a little worn.  While cosmetically it looks fantastic–better than camera bodies that have been used less–I noticed that the zoom was a little “stiff” sometimes, one of the mounting flanges was a little dog-eared, and I wondered about the effectiveness of the rubber seal after all of this time.  This lens has been to Africa, the Galapagos, and all over the United States.  It’s been exposed to blowing sand, blizzards, and rainstorms.  It’s banged against countless door frames and walls as its hung on my camera body, slung over a shoulder.

Along with my 1D IIN, it survived the downpour that sent my 50mm to the repair shop this past fall.  My 400mm DO actually went in for a repair in 2007 when its image stabilizer died in Kenya, and the 50mm was inspected and repaired in October.  But I had two vouchers for Canon to clean and inspect my gear for free that were due to expire this coming March, and they were burning a hole in my filing cabinet, so to speak.

I received the vouchers as part of re-upping on Canon Professional Services last year, and did not think much of them at the time.  I’ve had these clean & check vouchers in teh past, and let them lapse without using them.  However, something told me that my semester of working for the Columbia Missourian had strained a lot of my gear.  So, as soon as Christmas was over, I packed up my 1D IIN and my 24-70 and shipped them off to Canon’s facility in Jamesburg.  I figured that the worst that would happen is that Canon would clean my 1D’s sensor for free.

Continued after the jump!

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The Best of 2009: The Serious and the Quirky

While I’ve already obsessed on these pages about my photojournalism portfolio, which in many ways was also a “best of 2009″ as the majority of the photos I selected were made recently, I felt that it would be a good idea to revisit my nature images from 2009.  Along the journey back in time through my Lightroom library, I also found a lot of quirky images that I really enjoy, but that I don’t always have an opportunity to show.  So here, then, are two portfolios from 2009: the best of my nature work, and some of my more off-beat frames. I’m anxious to see what 2010 will bring!

My Best Nature Images of 2009

More after the jump!
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Discovering Shangri-La

Henry L. Warren's stone village, Prospect Hill, N.C.

The sun sets on Henry L. Warren's stone village, Prospect Hill, N.C. | Panasonic G1 and Olympus 17mm f/2.8 lens

Right by the fire station along Old NC-86 in Prospect Hill, North Carolina, lies a stone village hand-crafted by Henry L. Warren, a retired tobacco farmer who died in 1977 at the age of 84.  I have been in the state to visit my girlfriend, and we decided to look online for interesting and strange attractions within an hour’s drive.

The 27 buildings that compose Shangri-La took about nine years for Warren to craft, and we met two of his grandchildren who were more than happy to show us around.  All in all, a fun thing to go check out before going into Hillsborough to do some window shopping and having a pint at the English-style pub.

Here are a couple more views of Shangri-La:

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