Photography by David Kennedy

Thirty Days – Day Twenty-six

Thirty Days - Day Twenty-six - Barbie Massage Parlor

"I'm so good at this, I can work the knots out one-handed, Ken. Trust me." | Canon 1D Mark III and 16-35mm f/2.8L II lens @ 31mm; exposed 1/160 sec. @ f/2.8, ISO 2000.

Last night, while walking past Sen. Claire McCaskill’s senate office in Columbia, Mo. to meet up with some friends, an adjacent business–a masseuse–had this setup in the window front.  Here, we find Barbie’s massage parlor, in miniature.  She’s missing a hand, poor girl, and doesn’t know the difference between ensuring and insuring, but I do hope that she had insurance for the hand.

Thirty Days – Day Twenty-five

Thirty Days - Day Twenty-five - Walking down the street

Walking down Hitt Street, Columbia, Mo. | Canon 1D Mark III and 24-70mm f/2.8L lens @ 57mm; exposed 1/800 sec. @ f/5.6, ISO 200.

Sometimes the light, the shadows, and the people just come together…but it still takes about thirty attempts to get it right…

Thirty Days – Day Twenty-four…a day late

Well, in keeping with the spirit of this Thirty Days project, I made pictures yesterday.  Out of keeping with the spirit of things, I didn’t get a chance to post them.  C’est la vie.

Chris Dunn, Erin Schwartz, about four and a quarter million other photographers, and I descended upon the True/False film festival’s “March March” parade…which takes place in February.  The parade itself was not terribly productive for me–I wasn’t prepared for it.  But I loved this young woman, Ali Cooper, leaning against a traffic light, waiting for the parade to come to her.  The only problem is that I’m not sure which image (and which crop) I prefer.  They’re subtly different.  I’m happy to hear your thoughts!

30 - Day 24 - Ali Cooper waits for the March March parade.

Ali Cooper watches as the True/False "March March" parade makes its way down Ninth Street on Friday, Feb. 26, 2010 in Columbia, Mo. The parade had taken Cooper by surprise: "I just came out of Lakota and didn't really know what was going on," she said. | Canon 7D and 200mm f/2.8L lens; exposed 1/800 sec. @ f/2.8, ISO 200.

30 Days - Day 24 - Alternate

30 Days - Day 24 - Alternate

Thirty Days – Day Twenty-three

30 Days - Day 23 - Can you feel the (yogo) love?

Can you feel the (yogo) love? | Canon 1D Mark III and 200mm f/2.8L lens; exposed 1/160 sec. @ f/2.8, ISO 1600

Thirty Days – Day Twenty-two

Thirty Days - Day 22 - True/False Tickets

People with advance tickets for the True/False documentary film festival enter the box office to pick up their passes on Wednesday, 24 Feb. 2010 in Columbia, Mo. In all, 2,470 passes were reserved for pick-up. | Canon 7D and 24-70mm lens @ 50mm; exposed 1/8 sec. @ f/8, ISO 400.

PMA 2010: Sony joins the mirrorless revolution…

Ultra-compact new camera with interchangeable lenses, APS-size sensor and AVCHD; more additions to α DSLR line-up

Ultra-compact new camera with interchangeable lenses, APS-size sensor and AVCHD | image from dpreview.com

On Sunday, DPReview.com syndicated Sony’s announcement at PMA of a new line of mirror-less, interchangeable-lens compact cameras using a proprietary lens mount.  But who cares?

Camera Design of the Future?

For owners of 35mm SLR cameras, the idea of owning a camera that does not allow you to see through the lens–directly through the optics–seems strange.  It seems a throwback to the days of the rangefinder.  Of course, if that was truly the case that no one would want it, then why would Leica, let alone is M9 35mm digital rangefinder, still exist?

The answer, to put it succinctly, is that these smaller cameras with their smaller, but quite fine lenses, bring the fun back into photography.

And with no mirror in the way (electronic viewfinders are getting astonishingly good, and you can have a live preview of what the histogram will be at your given exposure), the lenses can be reduced in size dramatically.  Ever wonder why a 35mm Leica lens looks so different from one from Canon?  Single-lens-reflect requires a retrofocus design to compensate for the distance between the end of the lens and the film plane.  While this is over-simplified, the shorter that distance between film plane and lens, the smaller (and lighter!) the lens can be.

Recycling...They're doing their part...

They're doing their part... | Panasonic Lumix G1 and 45-200mm f/4-5.6 lens @ 45mm; exposed 1/60 sec. @ f/4, ISO 400.

For over a year now I’ve been working with a Panasonic Lumix G1–you can see all the photos I’ve posted with it–and along with its standard lens, a telephoto zoom, and an Olympus pancake lens that I’ve borrowed on occasion, it has enabled me to make pictures that I wouldn’t otherwise have because I don’t always want to schlep along my 5D Mk. II and 24-70 f/2.8L lens.

The G1 and its 14-45mm lens weigh in at one pound, six ounces.  The 5D and 24-70 weigh four pounds, five ounces.  Is the quality the same?  Of course not. But I wouldn’t have had the images without the lighter camera, because I don’t want to have bad knees and shoulders because of camera gear.  A bird in the hand…

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Thirty Days – Day Twenty-one

The twenty-first day of this Thirty Day project brought me a little closer to my home territory…

Thirty Days - Day 21 - Rick Shaw at POYi

Rick Shaw, director of POYi, applies gaffer's tape to the locks of the doors to the Fred Smith Forum at the Reynolds Journalism Institute to allow visitors to the judging of the contest to enter and leave without causing a distraction. | Panasonic Lumix G1 and 45-200mm f/4-5.6 lens @ 72mm; exposed 1/250 sec. @ f/4.3, ISO 800.

Runners up for today’s posting after the jump…

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Thirty Days – Day Twenty

Thirty Days - Day 20 - Who Wears the Pants in this Relationship?

Who Wears the Pants in this Relationship? | Canon 7D and 70-200mm f/2.8L IS lens @ 110mm; exposed 1/60 sec. @ f/2.8, ISO 2500.

Headed back to my car tonight, I noticed two vans pull up in front of a local restaurant, Forge and Vine, and a throng of young men and women began to line up in the 26° Fahrenheit (-3.3° Celcius) weather.  But while the guys were wearing dress pants and sports shirts, the young women were wearing short dresses and heels.  Why does trendiness/fashion take precedence over what is practical in the dead of winter?

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