Photography by David Kennedy

Home from an April Wedding

August Kryger and Amanda Shea's wedding ceremony at Alpine Park on 23 April 2011.

August Kryger and Amanda Shea's wedding ceremony at Alpine Park on 23 April 2011.

Last week I flew back to Columbia, Missouri to attend my friend August Kryger‘s wedding to Amanda Shea.  I flew into Saint Louis on Thursday and the following day, a few hours after consulting with my committee members to figure out the right direction for my master’s project on Asian carp, a tornado touched down at the airport.  By the time I flew out on Tuesday, STL was up and running once again, and plywood replaced the glass that had been shattered during the storm.

Driving up to STL in the airport shuttle

Driving up to STL in the airport shuttle on Tuesday 26 April 2011 in Saint Louis, Mo.

The main entrance to STL on Tuesday 26 April 2011 in Saint Louis, Mo.

A few glass windows remain at the main entrance to STL on Tuesday 26 April 2011 in Saint Louis, Mo.

Gardening at night

Sugar snap peas overwhelm their trellis

Sugar snap peas overwhelm their trellis in our garden, Durham, N.C. | Canon 5D Mk. II and 24-70mm f/2.8L lens @ 24mm | Exposed 1/50 sec. @ f/3.5, ISO 100 | 580EX II and 550EX Speedlites triggered with ST-E2.

The other day I received my Lumiquest Softbox III that I ordered at the Joe McNally and David Hobby “Flash Bus Tour” in Durham, North Carolina on 4 April.  A new light modifier?  Well, I simply had to play with it.  Trick is finding cooperative subject matter.  As I mentioned a few weeks back, Elizabeth and I have been working on a new garden/cooking/home improvement blog, and it was high time for an update on the crop of peas growing along the “whimsical trellises” that she made in the back yard.

Lighting the garden

Lighting the garden

So I set up the Softbox III on my 580EX II Speedlite, gelled 1/4 CTO on a stand at camera right as my key, and placed my 550EX in the back, zoomed out to 105mm and gelled 1/2 CTO to work as a kicker.  While outdoors I tend to use my low-end radio triggers for wireless flash, in cloudy conditions and after sunset I find that I can get away with wireless ETTL with either my ST-E2 or a flash as the commander.  This makes setting the light ratio and also the amount of light a lot faster when I don’t have much time (like when the sun is setting and the sky is getting really dark and really fast).  In this case, I think the warmer light created by the gels contrasted nicely with the cool sky at dusk.

Katie at the Gardens

 

Katie at the Gardens

Katie at the Gardens, Sarah P. Duke Gardens, Durham, N.C. | Canon 5D Mk. II and Zeiss Planar T* 85mm f/1.4 ZE lens | Exposed 1/250 sec. @ f/3.2, ISO 100.

While testing the Zeiss 85mm two weeks ago, I ran into Katie at the Sarah P. Duke Gardens and made a quick portrait.  While I’d really need to have them side-by-side to do a more thorough comparison, it seems that the Canon 85mm f/1.2L Mk. II has far superior bokeh, but that the Zeiss might actually be a sharper lens from f/2.8 and smaller–but the Canon would definitely win at the largest apertures.  Either way, the Zeiss has fantastic micro-contrast, good bokeh, and clearly has potential for portraits…so long as your subject understands that it will take a second to (manually) focus!

Like Snowing Cherry Blossoms

 

Cherry Blossom Petals
Cherry blossom petals, Sarah P. Duke Gardens, Durham, N.C. | Canon 5D Mk. II and Zeiss Planar T* 85mm f/1.4 ZE lens | Exposed 1/160 @ f/4, ISO 100.

While I was not able to use the Zeiss 85mm lens I rented nearly as much as I had anticipated during the week that I had it, I will say that it is disappointingly soft wide-open, but sharpens up dramatically by f/2, and is wickedly sharp at f/4.  The detail in the fallen cherry blossom petals is amazing!

Also, some big  changes are coming as I am in the process of becoming an LLC in the state of North Carolina.  More to come…

Daffodils in bloom

Daffodils in bloom
Daffodils in bloom, Durham, N.C. | Canon 5D Mk. II and Zeiss Planar T* 85mm f/1.4 ZE lens with Canon 25mm extension tube | Exposed 1/80 sec. @ f/5.6, ISO 800.

Last week was far busier than I had anticipated when I scheduled the rental of a Zeiss Planar T* 85mm f/1.4 ZE lens.   I feel that I wasn’t really able to put the lens through its paces, mostly staying close to home due to a couple of developments that I’ll be announcing here shortly.  Since I was working at home I worked with subjects at hand: loaves of bread, the cat, and our garden.

While soft wide-open at f/1.4 (to the point of being almost unusable), by f/2 this lens is razor sharp, and features the oft-fabled Zeiss micro-contrast: in-focus part of the image does seem to defy its two-dimensional nature.  However, working in close quarters is where this lens struggles: the minimum focusing distance is three feet.

For this photograph of the daffodils that were in bloom in our front yard until yesterday, I had to resort to a 25mm extension tube, which presented me with the opposite of my problem: suddenly I had no choice but to be closer to my subject than I would have wished!  That said, I think it works in this example.  I’ll have a couple more to share after I get a spare moment to work them up.

More to follow…

Another “lunar surface” detail

Bottom crust of "No Knead Bread"

Bottom crust of "No Knead Bread" | Canon 5D Mk. II and 100mm f/2.8 Macro lens | Exposed 1/160 sec. @ f/8, ISO 250 | Canon 550EX and Canon 580EX II flashes triggered via Canon ST-E2

Last week I hinted that I was beginning to explore baking my own bread.  For the past couple of days I’ve been working with “No Knead Bread,” which became popular in 2006 with Mark Bittman’s article about baker Jim Lahey’s process that involves quickly mixing a rough dough and then letting it rise for at least 12 hours.  I hope to perfect it soon, and with it, introduce everyone to a project we’ve been working on here in Durham for a few weeks now.  More to come!

Craters on the surface

 

Craters on the surface
Craters on the surface: light wheat bread recipe from The Bread Baker’s Apprentice featured on Smitten Kitchen | Canon 7D and 100mm f/2.8 Macro lens | Exposed 1/60 sec. @ f/8, ISO 200 | 580 EX II Speedlite fired in the DIY Beauty Dish on camera left.

Over the past month Elizabeth and I have been working on a new project I’ll be unveiling soon.  Part of it is a new-found interest of mine: baking bread.  I’ve never considered myself a good candidate for the Atkins diet because I simply cannot get enough bread in my life.  Elizabeth has a bread machine that she purchased from a second hand store, and while neither one of us particularly likes the loaves it makes, I’ve found that it’s a fantastic dough-making machine–plus it takes care of the first rise.  Pictured here is the top crust of a very basic, but very functional sandwich bread: Light Wheat Bread from The Bread Baker’s Apprentice and featured on the Smitten Kitchen.

My best experience with CPS yet

Hulett House - April 2009

Hulett House - April 2009 | Canon 5D Mk. II and 70-200mm f/4L IS lens @ 144mm | Exposed 1/100 sec. @ f/6.3, ISO 800.

A brief history of CPS

While I believe that customer service should be important to all businesses great and small, it’s clear that it isn’t always the case.  So when a company does something for one of its customers that is above and beyond all expectations, it’s a good feeling.  It’s also something that should be recognized by the end customer and held up as an example of loyalty-earning service.  There was a lot of complaining two years ago, when Canon Professional Services transitioned into a fee-based, tiered program.

I recall a few people asking why they should have to pay for “better service,” and I scratched my head.  The airlines have had a tiered fee structure for years: pay the base rate and sit in coach, but pay them several dollars more, sit in business class, and get better service.  Pay even larger sums, and sit in first class with an even greater level of service.  I had only been a member of CPS for a year when they changed up the program, but I have to say that I’ve seen only improvements in the past two years.  Sure, Nikon Professional Services doesn’t charge (yet), but that’s in part because they’ve cut costs by firing some of their beloved NPS representatives, such as Carol Fisher, who used to represent Nikon at photojournalism programs such as the University of Missouri.

So, for the past two years I’ve paid $100 per year and received a discount of 30% on repairs plus several equipment loans for evaluation.

The problem

So what is this all about?  Last week I sent in my 550 EX Speedlite that I damaged in a shoot for my Advanced Techniques class in my second semester at MU.  It’s sat on a shelf for close to two years after I melted its diffuser from an hour of firing at 1:1 on manual.  Before asking, the answer is that I wasn’t thinking at the time.  One of the last photographs that the flash helped me to make is at the top of this post.  Both of my 550 EX flashes were mounted on light stands and firing against the white walls of the mixed martial-arts gym, Hulett House.  Of course an hour of shooting at full power will do bad things.  But how bad?

550EX test before CPS repair

550EX test before CPS repair: damaged flash is labeled "B". Note that the identical units are zoomed to 35mm and firing at 1/16 power. Canon 7D and 16-35mm f/2.8L II lens @ 27mm | Exposed 1/100 sec. @ f/4, ISO 100

While behaving normally under E-TTL II mode, my 550EX that I had labeled “B” (for grouping purposes in wireless flash with the Canon ST-E2 transmitter) would only fire on full power in manual mode.  The photo above shows just how badly the Speedlite had been damaged: both are supposed to be firing at 1/16 power, but the only one doing that is the flash on the left.  So, after two years of my 550EX “B” Speedlite working only as a paperweight, I decided to send it in to CPS to be repaired and then sell it to recoup the cost of the repair.

An aside:

I have an odd hang up about broken gear: ultimately, I’d rather fix it and sell it to someone to recoup the repair costs than to let it rot on the shelf indefinitely.  This is what I did a few years ago when I bought an Olympus 21mm lens off of eBay that turned out to be woefully scratched.  I sent it into a man out in Colorado who gave it a new lens coating and then sold it, barely making up for the cost of the lens plus its repair.

Resolution

Refurbished Canon 580 EX Mk. II Speedlite

Refurbished Canon 580 EX Mk. II Speedlite from CPS

Last Thursday I packed up the 550 EX and shipped it FedEx to Canon’s Newport News, Virginia factory service center.  One of the things I’ve come to appreciate about living in North Carolina is that FedEx Ground will get a package to Canon overnight.  On Friday I approved the repair that was estimated to cost far less than I had mentally prepared for: only $77.

On Monday morning I received an e-mail that the factory was out of parts to repair the (discontinued) 550 EX, so they would be replacing it…with a 580 EX Mk. II Speedlite!  I am completely convinced this would not have happened had I not been a member of Canon Professional Services.

Today, my Canon-refurbished 580 EX Mk. II arrived…and it doesn’t have a scratch on it.  Sure, am I excited that I received a flash that retails for more than $450 by paying $77 and trading in my old unit?  Absolutely.  But it would have been far easier for Canon to tell me that they don’t have parts any more and simply ship my old flash back to me in its damaged state.  This is the kind of thing that makes me think twice about ever switching brands–my loyalty has been earned with time, but it was renewed once more this afternoon when the package arrived.

Well done, Canon.  Kudos on raising the bar for CPS!

 

 

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