Photography by David Kennedy

The Largest Fishing Tournament on the Great Lakes

Fishing poles

Fishing poles rest in one of the official buckets given to registrants of Salmon-a-Rama at Reefpoint Marina, Racine, Wis. The lines of the poles were tied off to beer bottles to alert the fishermen if a fish tugged at the bait. | Canon 1D Mark III and 70-200mm f/4L IS lens @ 89mm | Exposed 1/800 sec. @ f/4, ISO 100 (+1 EV)

The largest freshwater fishing tournament in the Great Lakes kicked off on July 10 in Racine, Wis.  One of the great concerns about the possibility of Asian Silver and Bighead carp entering into Lake Michigan is the potential for the destruction of sport fishing due to the radical changes that could happen to the food chain.  The carp are voracious filter-feeders, and could out-compete the fish that serve as “food” for the trout and salmon, and could be the final nail in the coffin for the lake perch.

It wasn’t foremost on the minds of the anglers participating in Salmon-a-Rama, but when I explained the idea of my project, there seemed to be universal concern about the invasive carp, most recently found only six miles from the shoreline of Lake Michigan.  It’s encouraging that this project is relevent even if the environmental outlook for the Great Lakes seems to be discouraging. Read the rest of this entry »

2nd Thirty Days – Day Nine

Josh Bickel in the photo lab

Josh Bickel | Nikon D50 and 18-55mm f/3.5-5.6 lens @ 48mm; exposed 1/13 sec. @ f/5.6, ISO 1600.

Yesterday, while working for my assistantship, I was trying to illustrate a point to a student in one of the more basic photography classes that is actually taught by a fellow graduate student, Phoebe Sexton, that while I could not equip him with the camera and lens that he wanted because of a lack of availability, even an old Nikon D50 and a basic 18-55mm lens can yield good images.  It’s the experienced hand, not the equipment.  Sure, the gear helps, but still.  Now, if only I had checked the settings he was using before Josh Bickel assisted me in making my point, I would have told it not to add two thirds of a stop too much light…

I’ve also included a couple more images from last night, of my hosts for the evening, Val and Jamie, and some of my closer friends:

2nd Thirty Days – Day Four

Jakob Berr at Rock Bridge State Park

Jakob Berr at Rock Bridge State Park | Canon 1D Mk. III and 50mm f/1.2L lens; exposed 1/50 sec. @ f/1.2, ISO 3200

While the noise performance of the 1D Mark III is not quite up to the same level as the 5D Mark II, its ability to focus in low light is far superior.  “Horses for courses.”

2010 Missouri Preservation Honor Awards

Rita before the ceremony

Rita Reed at the lower level of the capitol rotunda | Canon 5D Mk. II and 16-35mm f/2.8L II lens @ 35mm; exposed 1/40 sec. @ f/2.8, ISO 1600.

Yesterday, I drove down to Jefferson City, Mo. with Rita Reed and Maggie Walter to photograph their reception of the Missouri Alliance for Historical Preservation’s Osmund Overby Award for their contributions to Arrow Rock: Where the Past is the Future, edited by Abigail Pheiffer, Shane Epping, and Leah Gallo.  Shane was there, as was Alex Cooney, who photographed a portrait series for the book.  I’d never been to the capitol, and the whole thing was a gas.  A few more photos below:

Thirty Days – Day Twenty-eight

30 Days - Day 28 - Waiting in line at True/False

Waiting in line for standby tickets to The Invention of Dr. NakaMats, Jimmy Weagley, Lauren Croll, and Josh Dillon react to instructions from Emily Rosen, a volunteer for the True/False film festival on Saturday, Feb. 27, 2010 in Columbia, Mo. Croll said she was "pretty confident we'll get in." | Canon 1D Mk. III and 200mm f/2.8L lens; exposed 1/160 sec. @ f/4, ISO 200

Thirty Days – Day Twenty-seven

30 Days - Day 27 - Chrissy Wolfersberger

Chrissy Wolfersberger watches "Buskers Last Stand" musicians perform in the lobby of the Missouri Theatre at the conclusion of the True/False 2010 film festival. | Canon 1D Mk. III and 200mm f/2.8L lens; exposed 1/20 sec. @ f/2.8, ISO 2000

Thirty Days – Day Twenty-six

Thirty Days - Day Twenty-six - Barbie Massage Parlor

"I'm so good at this, I can work the knots out one-handed, Ken. Trust me." | Canon 1D Mark III and 16-35mm f/2.8L II lens @ 31mm; exposed 1/160 sec. @ f/2.8, ISO 2000.

Last night, while walking past Sen. Claire McCaskill’s senate office in Columbia, Mo. to meet up with some friends, an adjacent business–a masseuse–had this setup in the window front.  Here, we find Barbie’s massage parlor, in miniature.  She’s missing a hand, poor girl, and doesn’t know the difference between ensuring and insuring, but I do hope that she had insurance for the hand.

Thirty Days – Day Twenty-five

Thirty Days - Day Twenty-five - Walking down the street

Walking down Hitt Street, Columbia, Mo. | Canon 1D Mark III and 24-70mm f/2.8L lens @ 57mm; exposed 1/800 sec. @ f/5.6, ISO 200.

Sometimes the light, the shadows, and the people just come together…but it still takes about thirty attempts to get it right…

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