Photography by David Kennedy

Stephens Lake Park: A Green Oasis on Broadway

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In late March, I posted a “draft” of my contribution to my Picture Story class’ project on Broadway, one of the main arteries of Columbia, Mo., which was a “think piece” about Stephens Lake Park.

This Monday, I had the opportunity to sit down with Steve Saitta, Parks Development Superintendent for the city of Columbia, and ask his thoughts about the relevance of Stephens Lake Park for the community, and the significance of the park’s location on Broadway.

I believe this to be a significant improvement upon my original idea, and I hope you’ll agree. Comments and criticism always welcome!

Impressions of Stephens Lake Park

Introduction

Over the past couple of weeks I have been making photographs and video of Stephens Lake Park: what the place looks like, how it is connected to the city of Columbia via Broadway, and how the people of Columbia make use of the space.  It is “landscaped nature” in that is is completely man-made, but tell that to the birds who pass through, or the dogs that happily scamper through the grass.

This is a “draft” of the project.  At the very least, an idea of what it could be like.  I would like to incorporate some spoken narrative–my plans to interview someone from the Columbia Department of Parks and Recreation fell through this week.

The video was made with both the Canon 5D Mark II and the Canon 7D bodies, and the stills were made with the same cameras.

Update: On Video…

A friend of mine just e-mailed me to ask about my impressions of the video from the 5D Mk. II and the 7D, respective to one another.  I thought I would copy my thoughts to this post given the topical nature:

As far as the movies produced by the 5D II versus 7D, I would grant you that they do “feel” different, and I like having both cameras, but if I couldn’t only have one for video, specifically, I’d opt for the 7D.  I posted this draft of my project for David’s class on the Friday before Spring break, and the majority of the video is from the 7D (you can try to guess what was from the 5D–I’ll let you know if you’re right).
Movie mode is easier to access, and autofocus is more intuitive on the 7D.  The depth of field (DoF) is different because it’s a 1.6x crop as opposed to a full 24x36mm sensor, but I actually like having a little more DoF.  Sometimes, the 5D II’s DoF just seems too shallow for video (obviously, you can stop down) and that can be very distracting.
Food for thought!

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Broadway Update: Stephens Lake Take Two

Walking the dogs into the sunset

Walking the dogs into the sunset, Stephens Lake Park, Columbia, Mo. | Canon 5D Mk. II and Voigtlander 40mm f/2 Ultron lens; exposed 1/8000 sec. @ f/2, ISO 200.

On Thursday afternoon I headed back to Stephens Lake Park to continue “note taking” for an essay on the park that is right off of Broadway, yet feels almost like you’re immersed in nature in the middle of Columbia, Missouri.  I saw almost because the illusion fades when your boot gets stuck on the landscape fabric that’s underneath all of the pebbles on the side of the waterfalls…yeah, those were man-made.

2nd Thirty Days – Day Fourteen

2nd Thirty Days - Day Fourteen - Heather and Kolton Carmichael at Stephens Lake Park

Heather and Kolton Carmichael at Stephens Lake Park | Canon 7D and 300mm f/4L lens; exposed 1/200 sec. @ f/4, ISO 200.

2nd Thirty Days – Day Ten

2nd Thirty Days - Day Ten - Chelsea and John

Chelsea and John | Canon 7D and 24-70mm f/2.8L lens @ 28mm; exposed 1/250 sec. @ f/4, ISO 800.

Today, while walking out of Broadway Brewery from an early dinner–sans $5 pint glass that I paid for, because those are even easier to leave on the table than a to-go box–with John and Chelsea, I let them walk ahead of me because I could sense that something weirdly endearing was about to happen.  Here’s the advantage of Aperture Priority, folks: I dialed it up to f/4 and bumped the exposure compensation to +1 EV because I knew that the cloudy sky would fool the light meter into thinking the situation was more neutral than it really was.

Could I have retained some detail in the sky at +2/3 instead of +1?  Possibly, but I’d rather have the shadow detail.  The sky isn’t what matters in a picture like this.  Furthermore, in post-processing in Adobe Lightroom, I added another stop, so I could have gone even brighter, but I had properly exposed to the right, so this was less of a problem than it sounds.

If I’d been in manual, I would have had to ratchet up my shutter speed very rapidly, and this is something that you don’t always have time to do.  And when you don’t, you’re happy you know how to compensate for the whole scene, and get it right in the first exposure!

2nd Thirty Days – Day Two

30 Days - Day 2 - Meg Burcke

Meg Burcke | Canon 7D and 50mm f/1.2L lens; exposed 1/640 sec. @ f/1.2, ISO 400

Given that my friend Lillian Kelly posted an image of me making an impromptu portrait of Meg Burcke after the three of us got out of class on Friday afternoon, I felt compelled to post one of the results.

More after the jump!

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A New Thirty Days? Day One…

30 Days - Day 1 - Chris Dunn

Chris Dunn gives me a "thumbs-up" with a chocolate croissant...she's not sure about this "Second thirty days," either, but were doing to do it! | Canon 7D and 50mm f/1.2L; exposed 1/1250 sec. @ f/1.2, ISO 800.

It was with much fanfare–and relief–that I parted ways with what I thought was a successful project for my Picture Story class at the University of Missouri: posting on my blog a new photograph every day for 30 days.  Well, not so fast.

The majority of the class wanted a second crack at the project; some had made some excellent images and wanted the pressure to stay on, others found it to be no pressure at all, and others still just fell off the wagon early on, and wanted to see if they could work up the resolve to post daily.

Here we go again…

Thirty Days – Day Twenty-four…a day late

Well, in keeping with the spirit of this Thirty Days project, I made pictures yesterday.  Out of keeping with the spirit of things, I didn’t get a chance to post them.  C’est la vie.

Chris Dunn, Erin Schwartz, about four and a quarter million other photographers, and I descended upon the True/False film festival’s “March March” parade…which takes place in February.  The parade itself was not terribly productive for me–I wasn’t prepared for it.  But I loved this young woman, Ali Cooper, leaning against a traffic light, waiting for the parade to come to her.  The only problem is that I’m not sure which image (and which crop) I prefer.  They’re subtly different.  I’m happy to hear your thoughts!

30 - Day 24 - Ali Cooper waits for the March March parade.

Ali Cooper watches as the True/False "March March" parade makes its way down Ninth Street on Friday, Feb. 26, 2010 in Columbia, Mo. The parade had taken Cooper by surprise: "I just came out of Lakota and didn't really know what was going on," she said. | Canon 7D and 200mm f/2.8L lens; exposed 1/800 sec. @ f/2.8, ISO 200.

30 Days - Day 24 - Alternate

30 Days - Day 24 - Alternate

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